Archive for: July, 2014
‘Sinking stages’ – Jeremy Bentham and the education of pauper children
Post by Jenny Hughes Jeremy Bentham (1748-1832), famously Liberal and utilitarian, is perhaps best known for his advocacy of ‘panopticon’ architectures for prisons, asylums, hospitals and schools. A panopticon is a circular building, with cells on an outside perimeter and an inspection tower in the centre. They are constructed according […]
Introducing ‘The House’
Post by Jenny Hughes I have been working with Carran Waterfield from Triangle Theatre, to begin to develop ideas for a solo piece of performance (to be devised and performed by Carran, with a premiere in October 2015). We’ve provisionally entitled this ‘The House’. The performance will make use of […]
Songs and recitations in the workhouse (2) – ‘Home Sweet Home’
Here is another post on songs and recitations in the workhouse (relating to the performance of the Orpheus glee club at the opening of Dearnley workhouse in Rochdale in 1877 – see ‘Songs and recitations in the workhouse – ‘A Fine Old English Gentleman’ blog post below). Given that we […]
Songs and recitations in the workhouse – ‘A Fine Old English Gentleman’
Post by Jenny Hughes As noted in ‘The only way is Rochdale 3’ (blog post below) – the Orpheus Glee club performed at the opening of Dearnley workhouse in Rochdale and at the Christmas treat for paupers that followed a week or so later, and their repertoire may have included […]
The (neo)liberal politics of applied and social theatre – critiquing ‘self-help’ and ‘self-entrepreneurship’
Post by Jenny Hughes I’m putting a health warning on this post – it’s more relevant to readers interested in applied and social theatre, rather than theatre and poverty more generally – it comes out of some research I’m doing for a chapter in a book called Critical Perspectives in […]