Blog
Pop up paupers, pathways and pauper mice at the Workhouse, Southwell
Post by Jenny Hughes On Sunday 24th August I went with Carran Waterfield from Triangle Theatre to the Workhouse at Southwell (Nottinghamshire). The workhouse was bought by the National Trust in 1997 and renovated with loving care and no expense spared to a condition as close to the original as possible, opening […]
‘Sinking stages’ – Jeremy Bentham and the education of pauper children
Post by Jenny Hughes Jeremy Bentham (1748-1832), famously Liberal and utilitarian, is perhaps best known for his advocacy of ‘panopticon’ architectures for prisons, asylums, hospitals and schools. A panopticon is a circular building, with cells on an outside perimeter and an inspection tower in the centre. They are constructed according […]
Introducing ‘The House’
Post by Jenny Hughes I have been working with Carran Waterfield from Triangle Theatre, to begin to develop ideas for a solo piece of performance (to be devised and performed by Carran, with a premiere in October 2015). We’ve provisionally entitled this ‘The House’. The performance will make use of […]
Songs and recitations in the workhouse (2) – ‘Home Sweet Home’
Here is another post on songs and recitations in the workhouse (relating to the performance of the Orpheus glee club at the opening of Dearnley workhouse in Rochdale in 1877 – see ‘Songs and recitations in the workhouse – ‘A Fine Old English Gentleman’ blog post below). Given that we […]
Songs and recitations in the workhouse – ‘A Fine Old English Gentleman’
Post by Jenny Hughes As noted in ‘The only way is Rochdale 3’ (blog post below) – the Orpheus Glee club performed at the opening of Dearnley workhouse in Rochdale and at the Christmas treat for paupers that followed a week or so later, and their repertoire may have included […]
The (neo)liberal politics of applied and social theatre – critiquing ‘self-help’ and ‘self-entrepreneurship’
Post by Jenny Hughes I’m putting a health warning on this post – it’s more relevant to readers interested in applied and social theatre, rather than theatre and poverty more generally – it comes out of some research I’m doing for a chapter in a book called Critical Perspectives in […]
Training the pauper child – musical performance
Post by Jenny Hughes Musical performance – singing, playing an instrument, performing in an orchestral or brass band – was a core part of the educational curriculum for the poor child in the 19th century. Musical performance was seen as a means of personal and social education and a disciplinary […]
The only way is Rochdale (3)
Post by Jenny Hughes To return to the records of entertainments taking place in Dearnley workhouse in Rochdale during the final third of the 19th century (see previous posts – The only way is Rochdale 1 and 2). I found at least one entertainment for each month of the years […]
The only way is Rochdale (2)
Post by Jenny Hughes I’ve been looking at records of entertainments in Dearnley workhouse in Rochdale, from its opening in 1877. This has meant looking at huge, heavy, dusty, crumbling minute books kept by the Board of Guardians and various workhouse committees – minute books are full of beautiful handwritten […]
The ethical value of theatre
Post by Jenny Hughes The editorial page of the Guardian newspaper on 31st January 1890 gave a brief account of a debate amongst the Poor Law Guardians of Bolton on ‘the ethical value of theatre – especially, of course, in its relation to the future welfare of pauper children’. Mr […]